Cedar – Indian rosewood with new bracing

Red cedar soundboard braced in a new pattern that resembles Friederich.
Indian rosewood body, binding, headplate and Brazilian rosewood bridge
Spanish cedar neck with ebony fingerboard.

 

Raw recording made before french polishing. The guitar has a deep bass with focused trebles, a type of cross between a traditional fan sound and Bouchet.

Spruce – Madagascar rosewood

-European spruce soundboard, Hauser I inspired construction
-Madagascar rosewood bridge, back and sides
-Very old African mahogany neck with African blackwood headplate and fingerboard, Gotoh Premium tuners.

 

Raw recordings made before french polishing. The guitar has an old-world dark type of sound, fat trebles with excellent headroom and projection.

 

Red cedar / Madagascar rosewood

-red cedar soundboard with modified Bouchet bracing
-Madagascar rosewood bridge, back and sides
-Very old African mahogany neck with African blackwood headplate and fingerboard, Gotoh Premium tuners.

 

 

Raw recordings made before french polishing:

 

 

 

Lattice-braced Swiss spruce / Amazon rosewood

-lattice braced 3-piece Swiss spruce soundboard
-Brazilian rosewood bridge
-Amazon rosewood back and sides
-cedro neck with Indian rosewood headplate, ebony fingerboard
-Indian rosewood binding

Raw recording made before french polishing:

fan braced Lutz spruce / Indian rosewood

-Lutz spruce soundboard with the latest version of my own fan bracing I’ve been tweaking in the past couple of years. Nothing revolutionary, just a few subtle changes (ideas used by other makers too) to improve the sustain of the standard Torres or Hauser models and also close the gap a bit towards my wood lattices. I am thrilled with the trebles on this one: strong, responsive, clear yet sweet and rich. Just listen listen to the Barrios from 1:40 to 2:40! (or the Rodrigo introduction)

-spectacular extremely dark and tight deep purple Indian rosewood.

-mahogany neck with Brazilian rosewood spine, Madagascar rw headplate, Brazilian rosewood bridge

-African blackwood fingerboard, Klaus Scheller tuners.

Final sound with Savarez new cristal nylon strings:

Raw wood soundclip with carbon strings:

7-strings Brazilian Rw Italian spruce flamenco negra

Italian spruce soundboard flamenco negra with 7-strings, 650mm scale.
60 years old Brazilian rosewood body, fingerboard, bridge, neck spine and headplate. The back is made from 7 pieces and the sides from 6.
Spanish cedar neck, Baljak tuners.

Classical mode recording made with d’Addario normal tension strings.  In flamenco mode unfortunately I only have a phone recording made on the bare wood guitar.


Lattice braced Swiss spruce – Honduras rosewood

Swiss spruce soundboard, lattice bracing
Honduras rosewood body, Madagascar rosewood bridge and headplate, Indian rosewood binding
African blackwood fingerboard, cedro neck
Gilbert tuners.

Soundclips in raw state before french polishing, Savarez strings. With polish and d’addario strings, I found deep basses with tight, clear and sustaining trebles (reminiscent of my Bouchet model) and a quite balanced and refined presentation.


Cedar Rosewood lattice braced

Cedar soundboard, lattice bracing
Indian rosewood body, bridge, binding, back headplate
Ebony headplate and fingerboard, V-joint cedro neck
Scheller tuners.

Soundclip in raw state before french polishing, Savarez strings.