Fan braced Austrian spruce – Romanian maple

Traditional bracing, Austrian spruce soundboard with Romanian maple body
Brazilian rosewood bridge, African Blackwood fingerboard and headplate
Spanish cedar neck, Gotoh Deluxe tuners.

 

I’m very happy with the sound of this guitar.  Sweet and transparent tone, with a deep bass and fat trebles when asked for.  It also seems quite microphone-friendly.

Raw recordings before french polishing:

Cedar – Indian rosewood with new bracing

Red cedar soundboard braced in a new pattern that resembles Friederich.
Indian rosewood body, binding, headplate and Brazilian rosewood bridge
Spanish cedar neck with ebony fingerboard.

 

Raw recording made before french polishing. The guitar has a deep bass with focused trebles, a type of cross between a traditional fan sound and Bouchet.

Spruce – Madagascar rosewood

-European spruce soundboard, Hauser I inspired construction
-Madagascar rosewood bridge, back and sides
-Very old African mahogany neck with African blackwood headplate and fingerboard, Gotoh Premium tuners.

 

Raw recordings made before french polishing. The guitar has an old-world dark type of sound, fat trebles with excellent headroom and projection.

 

Red cedar / Madagascar rosewood

-red cedar soundboard with modified Bouchet bracing
-Madagascar rosewood bridge, back and sides
-Very old African mahogany neck with African blackwood headplate and fingerboard, Gotoh Premium tuners.

 

 

Raw recordings made before french polishing:

 

 

 

7-strings Brazilian Rw Italian spruce flamenco negra

Italian spruce soundboard flamenco negra with 7-strings, 650mm scale.
60 years old Brazilian rosewood body, fingerboard, bridge, neck spine and headplate. The back is made from 7 pieces and the sides from 6.
Spanish cedar neck, Baljak tuners.

Classical mode recording made with d’Addario normal tension strings.  In flamenco mode unfortunately I only have a phone recording made on the bare wood guitar.


Lattice braced Swiss spruce – Honduras rosewood

Swiss spruce soundboard, lattice bracing
Honduras rosewood body, Madagascar rosewood bridge and headplate, Indian rosewood binding
African blackwood fingerboard, cedro neck
Gilbert tuners.

Soundclips in raw state before french polishing, Savarez strings. With polish and d’addario strings, I found deep basses with tight, clear and sustaining trebles (reminiscent of my Bouchet model) and a quite balanced and refined presentation.


Cedar Rosewood lattice braced

Cedar soundboard, lattice bracing
Indian rosewood body, bridge, binding, back headplate
Ebony headplate and fingerboard, V-joint cedro neck
Scheller tuners.

Soundclip in raw state before french polishing, Savarez strings.

Cedar – “the tree” mahogany with rosewood neck

This is a special guitar which I made for myself. It happened that last year the number of builds caught up with my age – 34.
The (fan-braced) soundboard is the best I have handled so far, rivaling a double top.   According to the seller it came from a reclaimed dead tree from the Vancouver area.
-back, sides, headplate and rosette of highly figured Honduras mahogany,  the famous “the tree” cut in 1965.
-neck and bridge of 60 yo Brazilian rosewood
-fingerboard and back strip of bois-de-rose Madagascar rosewood, Indian rw binding.
-Gilbert tuners

Recently the guitar passed to an incredible guitarist I met, Cristian Gramesc from Salzburg.
Soundclips: pieces by Tedesco, Regondi and Brouwer, Savarez strings.

Hommage à Romanillos Flamenco blanca

Flamenco blanca, Austrian spruce soundboard and Spanish cypress body.
Jose Romanillos inspired decoration, whom I greatly admire as both luthier and person
small Spanish plantilla, 650mm scale
Cedro neck, V-joint, head plated with Amazon rosewood and bird’s eye maple
“Bois de Rose” Madagascar rosewood fingerboard
rosette background is bois de rose, “the tree” mahogany and 100yo Cuban mahogany; arches side grain flamed maple
hand-made herringbone purfling, all natural colors from more than 10 different species of wood
Brazilian rosewood bridge.

A few soundclips recorded by a classical player not being able to get a flamenco player in a short notice are linked below the photos. Guitar is absolutely asleep being strung for just 1 hour. D’addario EXP46 strings.

Cedar / IRW lattice

-red cedar top, lattice bracing, 650mm scale, Madagascar rosewood rosette
-Indian rosewood body with soundport
-Spanish cedar neck with Honduras mahogany head and Macassar ebony fingerboard
-Brazilian rosewood bridge, Indian rw headplate and maple binding.

French polished clips (soundport closed), Savarez carbon strings:




Raw wood clip (soundport closed), Savarez carbon strings: